We get an indicative evaluation of this by printing a target (using Absolute Rendering Intent) with patches of known file values, such as the X-Rite ColorChecker (Figure 6 – in our case augmented with some additional grayscale patches), measuring the colour values of the patches with a high quality calibrated spectrophotometer and comparing these measurements with the original file values. It does have some limitations versus the P-800 - no roll paper support (800 has a roll feed option), factory ink set is expensive ($700 for set of 12 80 ml ink tanks vs $522 for a set of 9 80 ml ink tanks for the 800). For example, based on Bruce Lindbloom’s L*a*b* values for the 24-patch GMCC, we know that the L*a*b* file value of red (third row, third patch from the left) is supposed to be 42.1, 53.38, 28.19. For the rear feed, one only needs to make sure to push the paper forward till it encounters resistance, and the printer takes it over from there. To take full advantage of both the “full frame” aspect ratio and the 17 inch paper width, the length should be no less than 17*1.5 = 25.5 inches. The black point is the circled black patch in the upper right, and the shadow/highlight ramps are the circled area at the bottom of the target. We have no estimated time of arrival just now, but I’m encouraged that it’s very much “on their radar”. This printer has produced some of the most impressive photo prints we have seen for a long time, so let's take a closer look. Specifically, Canon has more flawless paper feeding compared to Epson which needs more struggles at times. The conclusion of this article out of the way (if you’re in a hurry), for those wanting to read on, let’s look at what this printer does and some aspects of how to use it. In sum, I consider this kind of testing to be of comparative indicative value, and not the last word on perceived colour accuracy. The result I obtained from the PRO-1000 using Canon Pro Luster paper with my custom profile is excellent; the result from Canon’s packaged profile somewhat less so – to be expected, because it is a canned profile most likely made with a different instrument than the one I use for measuring outcomes. Secondly, I look at usability features – is the printer a pleasure or a pain to use, and are there tips for making it as pleasant as it can be. Canon has informed us that the length limitation on printing is being increased to 25.5 inches from the current 22 inches. In fact, a very nice feature of this printer – Canon provides a number of PRO-1000 profiles for third party papers which you can obtain from the Canon website and load into your OS Profiles folder. The “a” and “b” numbers show the deviance from zero for each of the two colour dimensions in the L*a*b* colour model. Seen side by side, all of them had to look at each photo long and hard to detect differentiating factors leading to a preferred rendition. In other words, the Canon iPF PRO-1000 (represented in red) from a first analysis of chromaticity (so two-dimensional) has a gamut higher than the most recent Epson SC-P900 (represented in green), but with a gap much wider in the chromaticities of green, and almost always higher in blue and red. The PRO-1000 includes several lines of defense for dealing with clogs. Generally, I find beyond 10X not very useful because with very powerful loupes the printer dot structure interferes with an appreciation of image detail. In discussing real outputs, one of the first questions that come to mind is whether the printer is actually laying down the recipe the print-maker ordered-up. After this demo, I’ll discuss the 98% or so of photos for which one would be hard put to see meaningful differences arising from gamut volume data between these three printers for the same wide gamut paper (in my case IGFS). Canon manufactures several series of printers. Also very cool. You can revoke your consent to receive emails at any time by using the SafeUnsubscribe SafeUnsubscribe® link, found at the bottom of every email. CLICK HERE for all posts on the Canon imagePROGRAF PRO-1000 printer. All are fine results. Read it to make sure you won’t be fussed, then click OK, and back in “Print Options” click OK again. This is the simplest possible common sense approach and the one I like best. Colour Management: The printer driver and associated utilities provide for registering third party and custom paper profiles to be used in an application-based colour management workflow. This is a video directly from Canon that explains the professional imaging technologies and features of the Pro 1000. I scanned the actual prints in an Epson V850 using SilverFast Ai8 Studio without making any tone or colour adjustments. The absolute differences between the file values and the printed values are [0.1, 1.29, 0.06], producing a dE for the colour as whole of 1.3 (which is pretty good). (The semi-gloss readings being identical to the Pro Luster, the mapping of the two overlap exactly.). (2) It supports B&W printing, but in sRGB space only, and provides for toning. The evaluation criteria were for colour vibrancy and realism, subtlety of tonal rendition, smoothness of tonal gradations, highlight control, quality of shadow detail, perceived sharpness and sharpness of high density texture rendition. I have no hesitation recommending this printer to anyone who’s serious about print-making, and satisfied with maximum print dimensions of 17×23.4 inches. As readers would have surmised from Kevin’s article introducing LuLa’s renewed emphasis on printing, we thought it important to examine this new printer and tell you what we think of it. The highlights ramp values for Canon Luster emerged to be relatively cool, ranging between -2.16~-2.22 (although shown as absolute values in the Figure 9 table), reflecting the underlying tone of that paper. (10) It provides various print layout options. There are different ways of evaluating such differences, and here I confine it to evidence from real world photographs, because this is what matters to 99% of those interested. For example, if the darkest value for the PK papers happens to be 4 (e.g. A matter of some interest is the fundamental difference of ink laydown technology (thermal bubble versus Piezo-electric) between Canon and Epson professional printers, and whether this makes a perceptible difference to perceived sharpness/detail rendition. What does hit you in the face is the Matte paper minimum black of L*18 or so, compared with any of the others. Figures 4 and 5 show the gamut maps (from ColorThink Pro) for the Canon papers’ Canon profiles. That said, whether anyone would actually see a meaningful difference between values of 1 and 3 is questionable. But the very fact that the manufacturer is actually providing software to provide this insight is to say the least a refreshing piece of transparency. Canon imagePROGRAF PRO-1000 And 5DSR As I mentioned in my Epson P800 review, how one edits the files makes a far bigger difference to print appearance than any of this data – except for the difference between Luster paper and Matte paper, where the statistical gamut differences are very large and readily noticeable by comparing prints. Readers may recall that I made essentially the same point when I reviewed the Epson SureColor P800 printer last summer, being their first new 17-inch entry replacing the 3880. Thanks also to Canon Canada for hosting me several times at their printer lab in Mississauga Ontario for some follow-up work, and for lending me a printer to complete verifications. This would allow the complete fill of a 17 inch width sheet printed from photos with “full-frame” (24x36mm) aspect ratio. It would really behoove Canon to provide one comprehensive PDF manual, keyworded and indexed, with “everything PSP” downloadable to one’s computer. Canon imagePROGRAF PRO-1000 Printer – Imaging Resource It replaces the PIXMA PRO-10S in Canon's printer lineup - a printer we already rate as one of the best photo printers - and it slots in below the larger, A2 … To do this in Windows: go to the Devices and Printers utility. Interestingly, one had more preferred prints from the Epson P800, another from the Canon PRO-1000, but the prints from the Epson 4900 less often made it into the preferred category. PSP is a printing plug-in to Adobe Photoshop, Photoshop Elements and Lightroom sporting a GUI that brings all the printer driver settings one normally needs into one convenient place from which the user can set all the printing parameters at once, helping one not to forget anything important. Finally, if all else fails, one may trigger printhead cleanings. Canon says that the PRO-1000 is not only designed for professional photographers and discerning enthusiasts, but also for photo schools, design companies and advertising agencies who all demand accurate, high-quality prints. Purposes: Evaluation of orange, violets, purples, subtlety of tonal distinction in the shadow areas. In Mac OSX, just check the 16-bit box, say if printing from Lightroom. While this review is not the place for instructions on how to use this application, I provide here a summary list of the things one can do with it: (1) It allows for soft-proofing if using application-managed colour and ICC profiles. Some settings are user adjustable, but then there is the risk of nozzle clogging if not routinely cleaned. The second example (Figure 11) is from a photograph of a bird (copyright), which Margie Wagner of Wildnaturephotos.com kindly provided for use in this article. It’s a superb printer, and good to see that Canon is listening to customer feedback. One wonders what the point of it is. For quite some time now inkjet printing technology has reached a stage of maturity whereby it’s fair to say that “the printer is as good as the printer”. At a minimum value of L*4, when doing a direct comparison of output, one does begin to notice (in the printer test target image) that the Black is not quite as intense as that having a value of L*1; but I must emphasize – you need to be looking comparatively and carefully, being mindful of what you’re looking for in order to see it. Once the window opens, click on the Main tab, set the Color / Intensity to Manual and click Set. I am so happy I did. (7) It allows us to print the margins in black, which often provides a nice backdrop effect for more “eye-popping” image appearance. Figure 10A-C shows this rendered (my profiles) for the Epson 4900, Canon PRO-1000 and Epson P800 printers. Job Data: Unlike some other printers where there seems to have been a conscious effort to prevent users from directly measuring the cost of ink for a print job, Canon is making this transparent with a firmware feature that will become available in the near future. The XPS driver is needed to commission 16-bit printing in Windows. Paper is easy to align itself without user error. When it comes to specifications of Canon imagePROGRAF PRO-1000 vs Epson SureColor P800, there are some slight differences you need to get to know just before finally purchasing one of them. Best Buy has honest and unbiased customer reviews for Canon - imagePROGRAF PRO-1000 Wireless Inkjet Printer - Black. Purposes: Overall sharpness, shadow detail, quality of greens and blues; quality of blue tonal gradation. By submitting this form, you are consenting to receive marketing emails from: Luminous-Landscape.com, 1060 North Capitol Ave., Suite C-375, Indianapolis, IN, 46204 United States, http://www.luminous-landscape.com. As I found out, anyone who works or worked with the PRO-1000 and moved up to the PRO-2000 should feel right at home. A great review of the Pro 1000 that provides detailed information on pros and cons, technical specs, ergonomics, image quality, and more. It is on-line only and even there refers one to various places for different kinds of information on the same topic. The first has to be the paper feeds. L*: Scale is 0 (black) to 100 (White). I’ve been an Epson Pro 3880 user in the past. I also measure the Black and the dark shadow tones that are printed on paper, as this is the output relevant to print appreciation. With support for pages up to 17 by 22 inches, it has graduated from the company's Pixma Pro printer product family—which brought us three excellent prosumer models: the Pixma PRO-1, the Pixma PRO-10 ($699.99 at Amazon), and … IGFS in an Epson 4900), any values in the range of 1, 2, 3 are squished to 4 because the profile can’t render anything less than L*4. All people using cameras that make a 36*24mm raw file have an aspect ratio of 1.5. Set up was easy and my prints have never looked better. I’ve looked at this with both “real world photographs” and Andrew Rodney’s printer evaluation target (especially the balls at the bottom – indeed a “ballsy” torture test ☺). The current ones are shown in Figure 2 below. (2) Output from most spectrophotometers varies. (4) It enables full 16-bit printing (but for Windows needs the XPS Driver). It is user-friendly and I didn’t see it lacking any essential features important to serious print makers. Nonetheless, in theory at least, the lower the value the better, because it means that tones within that very dark range are less likely to be “squished”. So wherever you see reference here to the “Pro-1000”– the subject of this review, please remember it is shorthand for an imagePROGRAF model, not a Pixma Pro. Partial coating does not cover white areas, so in general I would not recommend this option. IGFS is of interest to me as a popular very wide gamut Baryta luster paper that I use extensively for my own printing; it is also very good for comparing prints from different printers based on the same media. What’s in a name? I also tested Canson Baryta Photographique and Ilford Gold Fibre Silk in this printer for reasons given below. Canon’s Pixma Pro9000 Mark II printer has been a popular choice for photographers that want to print with dye inks (rather than pigments) with rich color and good print life. These are all from raw files made with my Sony a6000, Zeiss/Sony 16-70mm lens, processed in Adobe Lightroom and printed on Ilford Gold Fibre Silk using my custom profiles. We have rounded up and curated the best printer reviews, YouTube videos, forum discussions, and more on the net. My only concern is that I read on the Canon website that the maximium gsm the Pro 1000 can handle is 300. Great review on the Canon Pro 1000. These profiles perform as well as i1Profiler 2 profiles I have ordered from a professional provider for comparison testing. (12) PSP v2.0.0. (modified – corrected 3/18/16), Filed Under: Reviews Tagged With: member-only. Firstly, according to Canon, there is a tubular ink delivery system that generates faster print speeds and reduces clogging risk. There is also a paper thickness control (Head Height), which has four levels of user-controllable adjustment for avoiding scratch marks on the paper. This is a must read review. Canon includes 12 large capacity 80ml tanks with the PRO-1000. This data indicates that on the whole the PRO-1000 preserves neutrality very well in the shadows and highlights. I have not provided the example for the dark yellows because the differences are too subtle to be rendered meaningfully here. Canon imagePROGRAF PRO-1000 Professional Inkjet Printer, a 17-inch, large format solution packed with significant technological advancements, such as a new print head, new ink set and a new image processing engine, resulting in stunning image quality designed for photographers who are "equally obsessed" with the printed image. Emails are serviced by Constant Contact. Luminous Landscape will use the information you provide on this form to be in touch with you and to provide updates and marketing. b*: Measures from pure Yellow (+127) to pure Blue (-128). Explain Me: Canon Pro 1000 Wasting Ink? This then raises a question about how powerful a loupe to use. 11+1 pigment ink syste… By confining it to 23.39 inches, one loses the usefulness of paper width = 17 – (23.39/1.5)  = 1.4 inches. You almost need to see and handle the prints to really know the quality; but you obviously can’t do that from an article on the Internet. Purposes: Monochrome tonality, textures rendition, highlight and shadow detail. Using this very basic version of dE measurement, an overall result of 2.0 or less should be considered highly satisfactory in respect of “unremarkable inaccuracy”; even up to 3.0 is pretty good. It is also selectable in Print Studio Pro. It uses twelve cartridges of a new generation of pigment ink, including four … Secondly, ink ejection conditions are monitored with sensors. Read helpful reviews from our customers. Jared Polin runs the Pro 1000 through its paces to see if it’s worth the $1,300 price tag, how much each print costs, and if it’s better than prints from a lab. Profiling: While these professional printers are built to a high degree of uniformity from unit to unit, it can be that the OEM provided profiles may not be optimal for your particular unit. Quick Reminder on Reading L*a*b* Values We’ll be looking further into grayscale neutrality in the discussion of real outputs below. PC Mag’s review on the Pro 1000 – details on why this printer produces magnificent prints and grayscale images, why it earned their Editors’ Choice as a C-size professional-class photo printer, and more. A great, lengthy forum discussion where Keith Cooper answers many questions regarding the Pro 1000. (note that in the linked article you can see the set-up of the printer as well as the Canon PRO-1000 print head prior to being installed. Small differences between these results are insignificant in light of both the above-mentioned qualifications on the procedure itself, and the fact that in real world prints, many of these differences would be hard to see, even looking for them. Canon imagePROGRAF PRO-1000 Printer Review – Shutterbug I use Canson Infinity 310gsm papers, mainly Platine and Rag photographique. Review Summary: The Canon PRO-1000 is an excellent printer and an excellent value. The carriage width is 17 inches. Specifications. The user only need trigger the procedure. Purposes: Contrast rendition, shadow detail, texture rendition, overall sharpness, quality of Blue. The Canon imagePrograf PRO-1000 ($1,299.99) is the first new near-dedicated photo printer we've seen from Canon in quite a while, and it was … I have read posts and reviews about the Pro-1000 using a lot of ink due to the auto-maintenance routines it runs. As it was not available at the time of testing, I cannot describe further what it does or how it works. PRO-1000 Questions? This cuts in two ways. This, however, is the point at which I need to caution about how much to read into this data. There are two reasons for this dichotomy: firstly, a great many photos don’t need the huge gamut of an Epson 4900 to look great, and secondly, where gamut differences between printers/papers are not large, even to seasoned observers (and we did some “blind tasting” discussed below) telltale signs of which prints come from which printer are few and far between. The inks h… Review: Canon imagePROGRAF PRO-1000 Printer – The Phoblographer In order to make borderless prints with fine art matte papers, in the printer driver dialog, after selecting the media type and the paper size, it is necessary to go to “Print Options” and check the box that says :”Cancel the safety margin regulation for paper size”. Canon fulfilled their promise with a lineup of four roll paper printers, including the new imagePROGRAF PRO-2000, the subject of this review. CBP is of interest because Canon provides Canson’s profile for this paper and the Pro-1000. It is user-friendly and I didn’t see it lacking any essential features important to serious print makers. The Canon image PROGRAF PRO-1000 delivers excellent print quality. We have you covered. Right click on the icon for the printer and then click on Printing Preferences. The best overall outcome was for IGFS using my custom profile (0.55). If the print-maker delivers a well-prepared file to the printer, it will deliver – and really well. But this application does a lot more than that. While the paper length limitation may be a factor in a purchase decision, I’m allowed to inform our readers that Canon is now in the process of determining whether this limitation can be relaxed in a forthcoming driver up-date. Epson P800 Or Canon Pro-1000 ? Purposes: Subtlety of cloud and sky tones. As I noted in my P800 Review, the 4900 remains the gamut king at the least in respect of IGFS paper. Thanks for visiting topcoatED by Breathing Color! I shall report the most insightful outcomes in this article. But that didn’t mean to say “none at all”. Printer Linearization: when setting up a new printer or upon seeing abnormal output any time thereafter, it is always good to do a linearization (calibration) to ensure the print head is laying down the ink with the correct density across the sheet. Canon imagePROGRAF iPF Pro 1000 – Unboxing & Installation Purposes: Reds, Highlight retention, shadow detail. The exceptional gamut rendition conditions are very small ranges of brilliant green and dark yellow, which can benefit from the 4900 gamut. With my custom profile for the Epson 4900/IGFS paper, the measured value I obtained was [42.1, 54.67, 28.13]. 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